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Pelure d’oignon (Onion skin), 2006

Pelure d’oignon (Onion skin), 2006
Edition 4/4
Gelatin silver print with gold toning
Signed on recto and verso
58.1 x 48.3 cm (22 7/8 x 19 in.)

La peau et les racines de l'oignon (Onion skin and roots), 2002

La peau et les racines de l'oignon (Onion skin and roots), 2002
Edition 3/10, printed 2006
Gelatin silver print with gold toning
Signed and dated on recto and verso
11 3/4 x 15 11/16 in. (30 x 40 cm)

Oignon large (Large onion), 1971, printed 2007

Oignon large (Large onion), 1971, printed 2007
Edition 3/3
Gold-toned gelatin silver print
19 1/4 x 22 3/4 in. (48.9 x 57.8 cm)

Oignon et pelure (Onion and peel), 2002 

Oignon et pelure (Onion and peel), 2002 
Edition 3/6, printed 2003
Gold-toned gelatin silver print
Signed and dated on recto and verso
50 x 40 cm (19 5/8 x 15 11/16 in.)

Oignon à queue sèche, 1986, printed 2006

Oignon à queue sèche, 1986, printed 2006
Edition 2/4
Toned gelatin silver print
Signed on recto and verso
19 1/8 x 22 3/4 in. (48.6 x 57.8 cm) 

Pelure d'Oignon (Onion Peel), 2002, printed 2006

Pelure d'Oignon (Onion Peel), 2002, printed 2006
Edition 3/10 
Toned gelatin silver print
Signed and dated on recto and verso
11 13/16 x 15 3/4 in. (30 x 40 cm)

Oignon germé (Sprouted onion), 2004

Oignon germé (Sprouted onion), 2004
Gold-toned gelatin silver print
Signed and dated on recto and verso
50 x 40 cm (19 5/8 x 15 11/16 in.)

Oignon coupé (Cut Onion), 2002 

Oignon coupé (Cut Onion), 2002 
Edition 3/10
Gelatin silver print with gold toning
Signed and dated on recto and verso
30 x 40 cm (11 3/4 x 15 11/16 in.)

Tranche d'oignon (Slice of onion), 2002

Tranche d'oignon (Slice of onion), 2002
Edition 3/6, printed 2003
Gelatin silver print with gold toning
15 11/16 x 19 5/8 in. (40 x 50 cm)
Signed and dated on recto and verso

Oignon Blanc (white onion), 2002, printed 2005

Oignon Blanc (white onion), 2002, printed 2005
Edition 6/8
Toned gelatin silver print
Signed and dated on recto and verso
11 13/16 x 15 3/4 in. (30 x 40 cm)

Deux Oignons Germés (Two sprouted onions), 1985, printed 2004

Deux Oignons Germés (Two sprouted onions), 1985, printed 2004
Edition 3/6
Gold-toned gelatin silver print
Signed and dated on recto and verso
19 3/8 x 15 1/4 in. (49.21 x 38.73 cm)

Oignon Blanc germé (Sprouted White Onion), 1992, printed 2003

Oignon Blanc germé (Sprouted White Onion), 1992, printed 2003
Edition 2/10
Toned gelatin silver print
Signed and dated on recto and verso
11 13/16 x 15 3/4 in. (30 x 40 cm)

Press Release

Nailya Alexander Gallery is pleased to present the special online exhibition Denis Brihat’s Onions, coinciding with the release of the new book with the same title Les oignons de Denis Brihat, published by Le Bec en l’air, Marseille. The book and our exhibition bring to light Brihat’s half-century-long passion for the dazzling beauty of the humble onion.

Born in Paris in 1928, Brihat stands today as one of the longest standing and most significant artists of his generation. Since 1958, Brihat has lived and worked in the Luberon region of Provence on the isolated Plateau des Claparèdes — a region that also served as home and inspiration for Paul Cézanne.

In the exhibition, we highlight a selection of 12 one-of-a-kind prints of iconic photographs that represent the peak of the artist’s unparalleled stylistic and technical achievements. The colors in these photographs are achieved entirely through toning with the salts of gold, iron, selenium, vanadium, and other precious metals, which renders them both dazzling to the eye and more permanent than other types of digital or analog prints. A bronze onion (1986) looks like a ruffled bird; while an onion’s skin (2006), depicted in transparent red, calls to mind the swirling skirt of a dancer. Meanwhile, the luminosity of Oignon Large (2007) transforms this quotidian object into something majestic and elegant.

The book brings together a stunning selection of his portraits of onions, offering the public a chance to discover one of the greatest adventures in the history of photography. The images are complemented by several essays, including one by art historian Michel Poivert on the theme of obsession, as well as an interview with the artist that sheds light on his singular passion.

Denis Brihat’s photographs can be found in the collections of public and private institutions worldwide, including the Museum of Modern Art, New York; the Center for Creative Photography, Tuscon; the Victoria and Albert Museum, London; the Musée des Beaux Arts, Neuchâtel; the Musée Cantini, Marseille; the Bibliothèque Nationale de France, the Centre Pompidou, the European House of Photography, and the National Foundation for Contemporary Art, Paris. In 1987, he was awarded the Grand Prix de la Photographie de la Ville de Paris.