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Empire State Building, 1988, Gelatin silver print

Empire State Building, 1988

Gelatin silver print

Image: 5 1/8 x 3 1/2 in. (13.0 x 8.9 cm)
Paper: 10 x 8 in. (25.4 x 20.3 cm)

Swirling, 1993, Gelatin silver print

Swirling, 1993

Gelatin silver print

Image: 7 3/8 x 5 in. (18.7 x 12.7 cm)

Paper: 10 x 8 in. (25.4 x 20.3 cm)

Light Breeze, 1997, Gelatin silver print

Light Breeze, 1997

Gelatin silver print

Image: 6 x 6 in (15.2 x 15.2 cm)
Paper: 10 x 8 in (25.4 x 20.3 cm)

Looking Down from the Eiffel Tower, 2000, Gelatin silver print

Looking Down from the Eiffel Tower, 2000

Gelatin silver print

Edition 10 of 12

Image: 9 1/4 x 6 1/2 in. (23.5 x 16.5 cm)

Paper: 10 x 8 in. (25.4 x 20.3 cm)

Chrysler Building, 2000, Gelatin silver print

Chrysler Building, 2000

Gelatin silver print

Image: 13 x 9 1/2 in. (33.0 x 24.1 cm)

Paper: 14 x 11 in. (35.6 x 27.9 cm)

Water Wish, 2001, Gelatin silver print

Water Wish, 2001

Gelatin silver print

Image: 6 1/4 x 8 7/8 in. (15.9 x 22.3 cm)

Paper: 8 x 10 in. (20.3 x 25.4 cm)

Edition 3 of 3

Flying, 2001, Gelatin silver print

Flying, 2001

Gelatin silver print

Image: 6 3/8 x 9 in. (16.2 x 22.9 cm)

Paper: 8 x 10 in. (20.3 x 25.4 cm)

Soar, 2001, Gelatin silver print

Soar, 2001

Gelatin silver print

Image: 8 1/4 x 6 5/8 in. (21.0 x 16.8 cm)

Paper: 10 x 8 in. (25.4 x 20.3 cm)

Opening, n.d., Gelatin silver print

Opening, n.d.

Gelatin silver print

Image: 6 3/8 x 5 in. (16.2 x 12.7 cm)

Paper: 10 x 8 in. (25.4 x 20.3 cm)

Untitled, Gelatin silver print

Untitled

Gelatin silver print

Image: 7 x 4 7/8 in. (17.8 x 12.4 cm)

Paper: 10 x 8 in. (25.4 x 20.3 cm)

Biography

A native of Niagara Falls and a graduate of Cornell University, Ann Rhoney (b. 1953) approaches her work as a photographer with a painter’s sensitivity to color and light. She applies oil paints by hand to her gelatin-silver prints, allowing each piece to transcend the two-dimensional picture plane. The Metropolitan Museum of Art wrote of her photograph Silk Dress Coming (1987), which was featured in its landmark exhibition Faking It: Manipulated Photography Before Photoshop (2012-13), "Frustrated by the distortions and expressive limitations of commercially produced color film, Rhoney uses oil paint to color her black-and-white photographs in a naturalistic style that allows for great chromatic subtlety yet fastidiously conceals its own artifice."

Rhoney’s work can be found in the collections of the Metropolitan Museum of Art, New York, NY; the George Eastman Museum, Rochester, NY; the American Scandinavian Foundation, New York, NY; the Albright-Knox Museum, Buffalo, NY; the Burchfield Penney Art Center, SUNY Buffalo State, Buffalo, NY; the Harry Ransom Center at the University of Texas Austin; the Collection of Nion McEvoy; the Paul Sack Photographic Trust, San Francisco, CA; and the Bibliothèque Nationale, Paris, France, among other public and private institutions.

In addition to exhibiting her work widely in art galleries and museums across the United States, Rhoney has seen her work featured in campaigns for companies including Apple and the United Colors of Benneton; on the covers of The New York Magazine, Newsweek, Fortune, Life, and Tibor Kalman’s Colors, among other publications; and in articles in The New York Times, The New York Times Magazine, The New Yorker, and Vogue.

Selected Exhibitions

2018 Ann Rhoney: Life in Color, Nailya Alexander Gallery, New York, NY

2017 Water, Nailya Alexander Gallery, New York

2017 Collected, Pier 24 Photography, San Francisco, CA

2016 Fiftieth Anniversary of Burchfield Penney, Buffalo, NY

2012-2013  Faking It: Manipulated Photography before Photoshop, Metropolitan Museum of Art, New York, NY; National Gallery of Art, Washington, D.C.; Museum of Fine Arts, Houston, TX

2003  Angles on Scandinavia, Scandinavia House, New York, NY

1998  Hope Photographs, The National Arts Club, New York, NY

1991  Ann Rhoney, Thackrey and Robertson, San Francisco, CA

1986  A Century of Photographs from the Permanent Collection, Albright-Knox Museum, Buffalo, NY

1985  Summer Places, Daniel Wolf Gallery, New York, NY

1982 The Taking of Niagara: A History of the Falls in Photography, Niagara University, Buffalo, NY

SELECTED COLLECTIONS 

Albright-Knox Museum, Buffalo, NY

American Scandinavian Foundation, New York, NY

Bibliothèque Nationale, Paris, France

Burchfield Penney Art Center, SUNY Buffalo State, Buffalo, NY

George Eastman Museum, Rochester, NY

Harry Ransom Center, University of Texas at Austin

Howard Stein Collection

Metropolitan Museum of Art, New York, NY

Paul Sack Photographic Trust, San Francisco, CA

McEvoy Family Collection