Tulipe noire (Black tulip), 1980
Edition 5/6, printed 2012
Gelatin silver print with selenium toning
16 x 20 in.
Signed on recto

La peau et les racines de l'oignon (Onion skin and roots), 2002
Gelatin silver print with gold toning
11 3/4 x 15 11/16 in. (30 x 40 cm)
Edition 3/10, printed 2006
Signed Denis Brihat

Ranunculus, 1994
Toned gelatin silver print
Edition 1/3
19 5/8 x 23 9/16 in. (50 x 60 cm)
Signed Denis Brihat on recto

Pavot (Poppy), 1999
Gelatin silver print with gold toning
Edition 4/6, printed 2000
16 x 20 in. (40 x 50 cm)
Signed on recto

Poire (Pear), 1971
A.P.
Vintage gelatin silver print with sulfuration
15 11/6 x 11 3/4 in. (40 x 30 cm)
Signed, dated, and editioned on verso and recto

Oignon (Onion), 2002
Gelatin silver print with gold toning
Edition 3/8, printed 2005
11 3/4 x 15 11/16 in. (30 x 40 cm)
Signed on recto Denis Brihat 05

Oignon (Onion), 2002
Gelatin silver print with gold toning
Edition 3/10, printed 2006
11 3/4 x 15 11/16 in. (30 x 40 cm)
Signed and dated on recto

Grande oignon (Large onion), 1983
Edition 3/4, printed 2006
Gold toned gelatin silver print
50 x 60 cm

Mélèzes à Valprévert (Larches in Valprévert), 1988
Gelatin silver print and photographic etching
Signed on recto
16 x 20 in.

Dans le Marais Poitevin (In the Marais Poitevin), 1986
Edition 1/3, printed 1991
23 1/2 x 19 1/4 in.
Signed and dated on recto

Coeur d'amaryllis (Amaryllis heart), 2003
Gelatin silver print with light selenium toning
16 x 20 in.
Edition 5/6

Chrysanthème, 1983
Silver print and sulfuration
Edition 6/6, printed 1984
40 x 50 cm

Press Release

Nailya Alexander Gallery is pleased to present The Cosmos of Denis Brihat, opening on September 10th from 6 to 8pm. The exhibition will run through November 8th at the Fuller Building, 41 East 57th Street, Suite 704 (corner of Madison Avenue). Gallery hours are 11am-6pm, Tuesday through Saturday, and by appointment.

Denis Brihat (b. 1928, Paris) first made his photographs in 1943. In 1948, he attended the Rue de Vaugirard photography school, and in 1955 encouraged by Robert Doisneau, he started working for the RAPHO agency. Brihat spent a year (1955-1956) photographing in India, where he produced work that won him the Prix Niepce in 1956 and an exhibition at the Société Française de Photographie. In 1958, he moved to Provence, where he settled at Bonnieux to concentrate on his personal research and the themes of nature. Living in seclusion on the then deserted Plateau des Claparèdes, he at last could create the photography he had always longed for: images that revealed the complexity and beauty of nature through a completely immersive experience. Several important exhibitions mark this period, notably at the Musée des Arts Décoratifs in Paris in 1966 and at MoMA (New York) with Pierre Cordier and Jean-Pierre Sudre in 1967. In 1968, Brihat started his experiments in color by using metal toning and etching process of the gelatin surface, techniques he tirelessly pursued and honed ever since. The color in Brihat’s toned prints is mineral, made of the salts of silver, gold, sodium, iron, and uranium among others, and is achieved solely through classical darkroom processes. The resulting prints are sumptuous and delicate. Of remarkable richness, they expose the color of light, something far greater than the color of things. 

“When Brihat enlarges a slice of lemon to the size of a cathedral rose window, when he puts a single acacia seed or spike of lavender on a neutral background – a background of nothingness – he raises these tiny harbingers to the power of the cosmos, and infinity is certainly what he intends to possess, infinity withdrawn from the wear of time, an eternal infinity.” (Michel Tournier)

Denis Brihat has had exhibitions both in Europe and the US since 1963. He received Grand prix photographique de la ville de Paris in 1987. His works can be found in museum collections such as Bibliothèque Nationale, Paris; Centre Pompidou, Paris; European House of Photography, Paris; Cantini Museum, Marseille; Museum of Modern Art, New York; Center for Creative Photography, Tucson, AZ; and Victoria and Albert Museum, London.