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Vega, Texas, 2000, Archival inkjet print

Vega, Texas, 2000

Archival inkjet print

16 x 20 in (40.6 x 50.8 cm)

Edition of 10

Chicago, Illinois, 2000, Archival inkjet print

Chicago, Illinois, 2000

Archival inkjet print

16 x 20 in. (40.6 x 50.8 cm)

Edition of 10

 

Springfield, Illinois, 2009, Archival inkjet print

Springfield, Illinois, 2009

Archival inkjet print

16 x 20 in. (40.6 x 50.8 cm)

Edition of 10

 

St. Louis, Missouri, 2000, Archival inkjet print

St. Louis, Missouri, 2000

Archival inkjet print

16 x 20 in. (40.6 x 50.8 cm)

Edition of 10

 

St. Louis, Missouri, 2005, Archival inkjet print

St. Louis, Missouri, 2005

Archival inkjet print

16 x 20 in. (40.6 x 50.8 cm)

Edition of 10

Missouri, 2003, Archival inkjet print

Missouri, 2003

Archival inkjet print

16 x 20 in. (40.6 x 50.8 cm)

Edition of 10

Missouri, 2003, Archival inkjet print

Missouri, 2003

Archival inkjet print

16 x 20 in. (40.6 x 50.8 cm)

Edition of 10

Eureka, Missouri, 2003, Archival inkjet print

Eureka, Missouri, 2003

Archival inkjet print

16 x 20 in. (40.6 x 50.8 cm)

Edition of 10

Newburg, Missouri, 2003, Archival inkjet print

Newburg, Missouri, 2003

Archival inkjet print

16 x 20 in. (40.6 x 50.8 cm)

Edition of 10

Lebanon, Missouri, 2007, Archival inkjet print

Lebanon, Missouri, 2007

Archival inkjet print

16 x 20 in. (40.6 x 50.8 cm)

Edition of 10

Joplin, Missouri, 2000, Archival inkjet print

Joplin, Missouri, 2000

Archival inkjet print

16 x 20 in. (40.6 x 50.8 cm)

Edition of 10

Baxter Springs, Kansas, 2009, Archival inkjet print

Baxter Springs, Kansas, 2009

Archival inkjet print

16 x 20 in. (40.6 x 50.8 cm)

Edition of 10

Tulsa, Oklahoma, 2000, Archival inkjet print

Tulsa, Oklahoma, 2000

Archival inkjet print

30 x 40 in. (76.2 x 101.6 cm)

Edition of 5

Tulsa, Oklahoma, 2004, Archival inkjet print

Tulsa, Oklahoma, 2004

Archival inkjet print

16 x 20 in. (40.6 x 50.8 cm)

Edition of 10

Sayre, Oklahoma, 2007, Archival inkjet print

Sayre, Oklahoma, 2007

Archival inkjet print

16 x 20 in. (40.6 x 50.8 cm)

Edition of 10

Oklahoma, 2003, Archival inkjet print

Oklahoma, 2003

Archival inkjet print

16 x 20 in. (40.6 x 50.8 cm)

Edition of 10

Amarillo, Texas, 2000, Archival inkjet print

Amarillo, Texas, 2000

Archival inkjet print

16 x 20 in. (40.6 x 50.8 cm)

Edition of 10

Tucumcari, New Mexico, 2005, Archival inkjet print

Tucumcari, New Mexico, 2005

Archival inkjet print

16 x 20 in. (40.6 x 50.8 cm)

Edition of 10

Glenrio, Texas, 2011, Archival inkjet print

Glenrio, Texas, 2011

Archival inkjet print

16 x 20 in. (40.6 x 50.8 cm)

Edition of 10

Gallup, New Mexico, 2000, Archival inkjet print

Gallup, New Mexico, 2000

Archival inkjet print

16 x 20 in. (40.6 x 50.8 cm)

Edition of 10

Arizona, 2002, Archival inkjet print

Arizona, 2002

Archival inkjet print

16 x 20 in. (40.6 x 50.8 cm)

Edition of 10

Arizona, 2002, Archival inkjet print

Arizona, 2002

Archival inkjet print

16 x 20 in. (40.6 x 50.8 cm)

Edition of 10

Needles, California, 2000, Archival inkjet print

Needles, California, 2000

Archival inkjet print

16 x 20 in. (40.6 x 50.8 cm)

Edition of 10

Los Angeles, California, 2000, Archival inkjet print

Los Angeles, California, 2000

Archival inkjet print

16 x 20 in. (40.6 x 50.8 cm)

Edition of 10

Los Angeles, California, 2002, Archival inkjet print

Los Angeles, California, 2002

Archival inkjet print

16 x 20 in. (40.6 x 50.8 cm)

Edition of 10

Los Angeles, California, 2010, Archival inkjet print

Los Angeles, California, 2010

Archival inkjet print

16 x 20 in. (40.6 x 50.8 cm)

Edition of 10

Press Release

Nailya Alexander Gallery, in conjunction with Contact Press Images, is honored to announce MAIN STREET: The Lost Dream of Route 66, an exhibition of photographs by Pulitzer-Prize winning photographer Edward Keating, on view November 29 to January 5. The exhibition is accompanied by the release of Keating’s eponymous book of 84 photographs (Damiani, 2018). Please join the gallery for a reception and book signing with the artist on November 29 from 6 to 8 pm.

Edward Keating has served as a photojournalist for nearly 40 years for such publications as The New York Times, Forbes, and Business Week. In 2001, Keating received the Pulitzer Prize for Breaking News Photography, as well as the John Faber Award for International Reporting, Overseas Press Club, for his series of photographs on the September 11 attacks. He additionally shared the 2000 Pulitzer Prize for National Reporting with New York Times staff for the series, “How Race is Lived in America,” and was nominated for the Pulitzer Prize for the 1997 series “Vows,” co-authored with Lois Smith Brady. In 2003, Keating joined Contact Press Images photography agency. MAIN STREET will be Keating’s sixth monograph.

MAIN STREET is the result of eleven years of travels along Route 66 — the 2,400 mile stretch between Chicago and Santa Monica. Called the “mother road” in John Steinbeck's The Grapes of Wrath, Route 66 has inspired countless artists and writers, including Andy Warhol and Jack Kerouac. Following the path of migrant farmers and others, Keating has ventured westward and back along Route 66, documenting the lives of Americans along the way.

Keating approaches the route as both a journalist and memoirist. His photographs bring attention to the lives and myths scattered along the stretch of Route 66, and serve as a metaphor for the deterioration of middle-class America. For New York Times journalist Charles LeDuff, “this book is about those who traveled its length and those who settled along the way, wherever their bones and their broken cars dropped them.”

This book is also personal mythology, constructed from the artist’s own recollections of the road: Keating's mother grew up in Saint Louis along Route 66 where her father owned the city’s first Ford dealership. In his early 20s, he embarked on a cross-country trip on Route 66, but found himself, rock-bottom, in a broken-down motel in Flagstaff, Arizona. In 2000, he returned to Route 66 as a New York Times staff photographer, traversing all 2,400 miles in three weeks. The book is a milestone for an artist who has spent a life wandering along the main streets and back roads of America’s most mythic highway.