Red Rock, Valley of the Gods, 2015
The Highway, Rio Arriba, New Mexico, 2015
Teepee, Taos, New Mexico, 2015
Rim Road, Taos, New Mexico, 2015
Monument Valley Café, Utah, 2015
Lunar Landscape, Nevada Test Site, 2002
Rodeo Girl, Colorado, 2015
Jeremiah in Snow, 2006
Ford Pick-up, Utah, 2015
Cowboy, Valley of the Gods, Utah, 2015
Bluff Plains, Utah, 2015
Big Chief Gas Station, New Mexico, 2015
Shiprock, New Mexico, 2015
Nailya Alexander Gallery is pleased to present American Cowboy, an exhibition of photographer Jane Hilton’s work documenting the 21st-century cowboys of the American West. American Cowboy opens Thursday, July 9 from 6 – 8 PM at 41 East 57th Street, Suite 704, and runs through July 31. Gallery hours are 11 AM – 6 PM, Tuesday through Friday, and by appointment.
Photographer, filmmaker, and former classical musician Jane Hilton was born in England and received a degree in Music and Visual Art from Lancaster University in 1984. Her fascination with the American West was sparked on her first trip to Arizona in 1988. “I grew up with the Hollywood cowboy movies of John Wayne and Gary Cooper,” Hilton told The Telegraph in 2010. “I remember watching them on television with my dad on Sunday afternoons. Those gunslinging cowboys defending their land and women folk, all played out in the spectacular scenery of the American West – it seemed a long way from suburban England.”
American Cowboy, Jane Hilton’s third solo show at Nailya Alexander Gallery, marks the culmination of nearly three decades documenting the striking landscape and unique culture of the American West. In Dead Eagle Trail (2010), Hilton photographed cowboys in their houses, surrounded by Western iconography and memorabilia; in American Cowboy, she captures them where they are truly at home, on the land, both dwarfed and ennobled by the vast plains and endless highways that have defined their way of life for almost two hundred years. Shot largely on color film with a 4 x 5” view camera, the resulting prints replicate the region’s deep, dusty earth tones and diffuse light with startling richness and detail. Yet Hilton is neither nostalgic nor naive. In “Big Chief Gas Station, New Mexico,” a shuttered Native American business stands as a derelict memorial to the ancient cultures that American cowboy helped displace, and speaks to declining economic prospects for tribes and ranches alike. As Hilton writes in the introduction to Dead Eagle Trail (Schilt, 2010), "Real cowboys will not disappear, but every generation produces fewer and fewer of them.”
In addition to American Cowboy and Dead Eagle Trail, Jane Hilton’s documentation of the American West includes extensive work in the wedding chapels of Las Vegas, as well as a fifteen-year span photographing and filming working girls and madams in the legalized brothels of Nevada. A book of portraits from the brothels, Precious, was published in 2013, and the series was featured in a solo show at Nailya Alexander Gallery. Hilton also produced a ten-part documentary film series for the BBC, Love for Sale, on life in the Nevada brothels.
Jane Hilton’s work has been exhibited widely in galleries and art fairs throughout Europe and the United States. This spring, photographs from American Cowboy were shown at the inaugural edition of Photo London. Her portrait of cowboy Pate Meinzer was shown at the National Portrait Gallery in London as a nominee for the Taylor Wessing Photographic Portrait Prize in 2009. Her work can be found in the permanent collection of the Philadelphia Museum of Art, and her photographs are published regularly in The Sunday Times Magazine and the Telegraph Magazine. In 2013, Jane Hilton was awarded an Honorary Fellowship by the Royal Photographic Society.